settecorvi: (evil)
My relationship with the cardigan currently on the needles is getting hot and heavy, if only because I just attached the sleeves to the body and so have a giant lump of wool on my lap in the middle of summer. Said cardigan is decisively into the ugly stage, where it’s vaguely misshapen and the stitches are uneven and there are gaping holes in the armpits and loose ends everywhere and oh god why did I ever think I could knit? But a good blocking will straighten all that out.*

I’m also in the process of moving out of the dorm, which means that right now my room bears a striking resemblance to the cardigan, loose ends and all. There’s a whole lot of barely controlled chaos with a vague hint of underlying order spied among the piles of books and bed linens, and within the next couple of days I’ll pummel it into submission.

A good blocking will probably not do the trick on the room, however.

On a more introspective note, I have lots of thinky thoughts - the alchemy of knitting, noticing personal warning signs, being an introvert vs. being antisocial vs. being a hermit, interstitiality as a scientist-artist type person - but have been generally too low-energy and scatterbrained to sit down and write. Not necessarily in a negative space, just...listless and without any desire to make myself focus more than I need to knit. Possibly medical school applications on top of senior thesis on top of senior recital on top of finals left me more burned out than I thought. Which is slightly exasperating, since I don't remember ever really feeling like I was nearing my limits, but that's the best explanation I have for my current state of mostly-content immobility.

* Blocking is the magical, wonderful process whereby you gently – or in my case, overenthusiastically – encourage the fabric to take on the dimensions you want. I will never stop being delighted by the difference blocking can make for a garment. It's like watching a hat come out of a rabbit. Admittedly, I started knitting with lace, where the finished object doesn’t look like anything but a snarl of yarn until you block it, so I may be treating the process with a bit too much reverence.
settecorvi: (Default)
The print o' the wave stole for my mother has actually been done for a month now - I blocked it over Thanksgiving - but I'm only now getting around to photographing it. It turns out that taking flattering photos of large objects? Is surprisingly difficult. I have a new sympathy for photographers.

DSC01865
Ravelry link
The color isn't quite accurate in any of these. The actual stole is turquoise rather than this green-blue-y teal.

Edging and pattern details )

On me for scale )

Blocking pictures )
Gratuitous pretty and comments )
settecorvi: (Default)
Am knitting 560 stitches in laceweight yarn onto the edge of a stole. In silk. (Silk, at least thin silk, tangles all by itself into impossible Gordian knots if you turn your back on it for a second. I didn't know this before I plunged into a project with it. Learning is fun and painful!)

Only halfway done and it took me two hours dear god in heaven make it stop please.

It's like something from Kafka crossed with Madame Defarge.

That said, I really wish I had a camera, because I am 75% done with this stole and it is gorgeous, if I do say so myself. It's the Print o' the Wave stole in topaz Handmaiden silk lace, which is a bright, saturated turquoise with subtle color variations. And it is soft and shiny and if my mother doesn't like it I will steal it for myself, I will.

Next project will be something nice and soothing that doesn't involve knitting onto a border.
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